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Graf Öderland
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Graf Öderland

Critique October 22, 2021 0Likes 0Comments

A huge trumpet-shaped stage faces the audience, and on the huge slope one confuses dream and reality, disrupting the continuum of time and reflecting on the contradictions of class. The Graf Öderland is about a…

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Die Räuberinnen
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Die Räuberinnen

Critique October 16, 2021 0Likes 0Comments

It feels like a family reunion every time a play from the Lilienthal era comes back to the Kammerspiele, which was a complete disappointment in 2021. The play is based on Schiller’s play “The Robbers”, and…

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Los Años
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Los Años

Critique October 14, 2021 0Likes 0Comments

Two rooms, almost identical, are separated in the middle of the stage. A young man and an old man are methodically sorting out the clutter as the narrator slowly comes on stage and begins to…

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《In C》 by Sasha Waltz
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《In C》 by Sasha Waltz

Critique October 5, 2021 0Likes 0Comments

As the theatre falls silent and the stage lights fade, the silhouettes of a dozen dancers slowly begin to move, at first mechanically turning their heads and waving their arms, but then as the lights…

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Unsere Zeit ( Our Time )
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Unsere Zeit ( Our Time )

Critique October 3, 2021 0Likes 0Comments

A brightly lit gas station occupies the entire stage, and every detail of the gas station is a one-to-one replica of the one in real life, from chewing gum and potato chips to several different…

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